I’m a physicist and musician working at the edge where science turns emotional. My practice transforms real data — astrophysical signals, natural phenomena, algorithms — into music, sound design, and software instruments. I use sonification not as a gimmick, but as a way of listening: to stars, to systems, to memory.
My work moves between long-form narrative music, experimental sound design, and custom-built tools. I often combine ambient and distorted textures, lo-fi aesthetics, spoken word, and archival material (letters, diaries, dreams), treating music as a personal archive as much as a composition. Many of my projects are conceived as legacies — traces left behind rather than products.
I work with minimal hardware and deliberately constrained systems, sometimes using obsolete software or low-resolution media, embracing imperfection as part of the signal. Alongside music, I develop plugins and instruments inspired by real scientific structures — clouds, galaxies, energy maps — allowing data to shape harmony and form in literal, physical ways.
Emotionally, my work sits in melancholia, introspection, and quiet intensity. I’m drawn to slowness, ambiguity, and things that almost disappear. If there’s a common thread, it’s this: listening closely to what’s usually invisible, and turning it into something you can feel.